Pour continuer dans le même thème, quelques curiosités qui forment pour ce post un cabinet éclectique entre objets détournés, films rares, inventaire de mots curieux à usage violent, etc.
des insultes ad hoc!
Claude Chabrol, la scène de la danse dans Les Godelureaux
Bieger&Funk, ClockTwo (merci B!)
Olaf Breuning, Smoke Bombs (merci Juliette!)
Tacita Dean, Die Regimentstochter, 2005
générique de James Bond Contre Dr No par Maurice Binder, 1962
Intro Jitterbug dans Mulholland Drive de David Lynch 2001
pochette de l'album éponyme du groupe Jil is Lucky
Hans Richter, Rythmus 21, 1921 (avec une musique totalement décalée, donc à regarder en mode silence... ou avec une autre musique!)
The Whitest Boy Alive, Fireworks, vidéo de Owen Lang
Émile Reynaud, Autour d'une cabine, 1895
Stan Brakhage, Mothlight, 1963
Ryan Kitson, Monoballoon, 2007 (cast, resin, enamel)
Ryan Kitson, Floor, Plank, Ball, 2005
Ryan Kitson, Floor, Plank, Ball, 2006
Peter Tscherkassky, Outer Space, 1999
Suggesting a convulsive hall of mirrors, Peter Tscherkassky's widescreen tour de force Outer Space reinvents a 1981 Barbara Hershey horror vehicle, leaving the original's crystalline surface intact only to violently shatter its narrative illusion. After Hershey enters a house at nighttime, sounds of crickets, static, and distorted music give way to explosions, screams, and garbled voices. In an eruption of panicked subjectivity, the actress's face multiplies across the screen as the frame is invaded by sprocket holes, an optical soundtrack, and flashes of solarized imagery.
-Kristin M. Jones, Closing the American Century:
The Avant-Garde in '99, in: Film Comment Jan./Feb. 2000 (merci OLBI pour le lien!)
Olaf Breuning, Smoke Bombs (merci Juliette!)
Tacita Dean, Die Regimentstochter, 2005générique de James Bond Contre Dr No par Maurice Binder, 1962
Intro Jitterbug dans Mulholland Drive de David Lynch 2001
pochette de l'album éponyme du groupe Jil is LuckyHans Richter, Rythmus 21, 1921 (avec une musique totalement décalée, donc à regarder en mode silence... ou avec une autre musique!)
The Whitest Boy Alive, Fireworks, vidéo de Owen Lang
Émile Reynaud, Autour d'une cabine, 1895
Stan Brakhage, Mothlight, 1963
Ryan Kitson, Monoballoon, 2007 (cast, resin, enamel)
Ryan Kitson, Floor, Plank, Ball, 2005
Ryan Kitson, Floor, Plank, Ball, 2006Peter Tscherkassky, Outer Space, 1999
Suggesting a convulsive hall of mirrors, Peter Tscherkassky's widescreen tour de force Outer Space reinvents a 1981 Barbara Hershey horror vehicle, leaving the original's crystalline surface intact only to violently shatter its narrative illusion. After Hershey enters a house at nighttime, sounds of crickets, static, and distorted music give way to explosions, screams, and garbled voices. In an eruption of panicked subjectivity, the actress's face multiplies across the screen as the frame is invaded by sprocket holes, an optical soundtrack, and flashes of solarized imagery.
-Kristin M. Jones, Closing the American Century:
The Avant-Garde in '99, in: Film Comment Jan./Feb. 2000 (merci OLBI pour le lien!)
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